Transtopian moves: the rhizome in Jonas Carpignano’s feature films Mediterranea (2015) and A Ciambra (2017)
Hudelist, Andreas
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URN: urn:nbn:de:hebis:26-opus-160244
URL: http://geb.uni-giessen.de/geb/volltexte/2021/16024/
Freie Schlagwörter (Englisch):
migration , lines of flight , Jonas Carpignano , rhizome , distribution of the sensible
Universität
Justus-Liebig-Universität Gießen
Institut:
International Graduate Centre for the Study of Culture
Fachgebiet:
GieĂźener Graduiertenzentrum Kulturwissenschaften
DDC-Sachgruppe:
Sozialwissenschaften, Soziologie
Dokumentart:
Aufsatz
Zeitschrift, Serie:
On_Culture : the Open Journal for the Study of Culture
; 10
ISBN / ISSN:
2856008-5
Sprache:
Englisch
Erstellungsjahr:
2021
Publikationsdatum:
21.04.2021
Kurzfassung auf Englisch:
Film comes to its fore as a cultural product, which frames social experiences, relations, and is constructed through these itself. Dealing with our current global and fluid so-ciety the analysis will focus on constructions of marginalized individuals who chal-lenge the viewers with their modulations and variations of identifications. Being (someone) evades the subject of becoming, which as an empty subject makes the po-tential of alternatives transparent and invites us to pursue lived connections, and not only in human-to-human relationships. Following Stuart Hall (1994), this is where a transtopian space is created, which not only collects and allows common knowledge, but also gives space to something new to emerge. The movies Mediterranea and A Ciambra by Jonas Carpignano show us a current picture of marginalized people as well as a rhizome of migration with line of flights.
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