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Transtopian moves: the rhizome in Jonas Carpignano’s feature films Mediterranea (2015) and A Ciambra (2017)

Hudelist, Andreas

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URN: urn:nbn:de:hebis:26-opus-160244

Freie Schlagwörter (Englisch): migration , lines of flight , Jonas Carpignano , rhizome , distribution of the sensible
Universität Justus-Liebig-Universität GieĂźen
Institut: International Graduate Centre for the Study of Culture
Fachgebiet: GieĂźener Graduiertenzentrum Kulturwissenschaften
DDC-Sachgruppe: Sozialwissenschaften, Soziologie
Dokumentart: Aufsatz
Zeitschrift, Serie: On_Culture : the Open Journal for the Study of Culture ; 10
ISBN / ISSN: 2856008-5
Sprache: Englisch
Erstellungsjahr: 2021
Publikationsdatum: 21.04.2021
Kurzfassung auf Englisch: Film comes to its fore as a cultural product, which frames social experiences, relations, and is constructed through these itself. Dealing with our current global and fluid so-ciety the analysis will focus on constructions of marginalized individuals who chal-lenge the viewers with their modulations and variations of identifications. Being (someone) evades the subject of becoming, which as an empty subject makes the po-tential of alternatives transparent and invites us to pursue lived connections, and not only in human-to-human relationships. Following Stuart Hall (1994), this is where a transtopian space is created, which not only collects and allows common knowledge, but also gives space to something new to emerge. The movies Mediterranea and A Ciambra by Jonas Carpignano show us a current picture of marginalized people as well as a rhizome of migration with line of flights.
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