| Nr. |
Titel |
Autor |
|
Jahr |
|
Band |
| 1 |
On_Culture: The Open Journal for the Study of Culture |
|
|
20XX |
|
|
| 2 |
The madwoman in the cellar: trauma and gender after both World Wars : a field study of psychiatric files |
Wernitznig, Dagmar |
|
2021 |
|
11 |
| 3 |
Quarantined voices: on the transformative impact of COVID narratives at a time of crisis |
Wallace, Ann E. |
|
2021 |
|
11 |
| 4 |
Through the eyes of Peter Pan: internalizing mental illness via animation in the documentary "Life, Animated" |
Tscheschel, Janin |
|
2021 |
|
11 |
| 5 |
Preface: illness, narrated |
|
|
2021 |
|
11 |
| 6 |
"You can’t combat nothing": Allie Brosh’s "Hyperbole and a Half" and reframing mental illness through webcomics |
Sandford, Shannon |
|
2021 |
|
11 |
| 7 |
Material shifts: theorizing endometriosis, embodiment, and experimental art |
McKenna, Emma |
|
2021 |
|
11 |
| 8 |
Blogging to Let Go: Life Writing, Maternal Cancer and Death |
Joutseno, Astrid |
|
2021 |
|
11 |
| 9 |
Watch your back, girl! The story behind "The Dress for the Hunchbacked Girl" by poetic designer Kamila Izykowicz |
Izykowicz, Kamila |
|
2021 |
|
11 |
| 10 |
The illness of narrative: reframing the question of limits |
Greco, Monica et al. |
|
2021 |
|
11 |
| 11 |
Untenanted by any tangible form‘: illness, minorities, and narrative masquerades in contemporary pandemic fiction |
Däwes, Birgit |
|
2021 |
|
11 |
| 12 |
Infectious diseases in historical perspective: French pox versus venereal syphilis |
Arrizabalaga, Jon |
|
2021 |
|
11 |
| 13 |
Illness, narrated : editorial |
Boide, Silvia et al. |
|
2021 |
|
11 |
| 14 |
The Experience of Migration: From Metaphor to Metamorphosis |
Zartaloudis, Thanos |
|
2021 |
|
10 |
| 15 |
Transtopian moves: the rhizome in Jonas Carpignano’s feature films Mediterranea (2015) and A Ciambra (2017) |
Hudelist, Andreas |
|
2021 |
|
10 |
| 16 |
Racial and social dimensions of antiziganism: the representation of “Gypsies” in the political theory |
Tittel, Laura Soréna |
|
2021 |
|
10 |
| 17 |
Troubling the Border: Global Poetic Trans* Dislocations |
Reid, Bonnie |
|
2020 |
|
10 |
| 18 |
Metaphors of Migration: An Introduction |
Ahrens, Jörn et al. |
|
2020 |
|
10 |
| 19 |
Shapes on the Horizon: Reading the Pumice Raft and Migration through Agentic Ecologies and Australian Border Control |
Waterhouse, Jaxon et al. |
|
2020 |
|
10 |
| 20 |
Transformations of Liberal Reason: Migration Politics and Shifts in Cultural Self-Interpretation |
Kaufmann, Hannes |
|
2020 |
|
10 |
| 21 |
The Politics of Housing Metaphors: Challenging Images of Migration and Patriarchy |
Mackowitz, Laurin et al. |
|
2020 |
|
10 |
| 22 |
Transcultural Urban Re-Imaginings: Ephemeral and Participatory Art Interventions in the Macrolotto Zero Neighborhood |
Dutto, Matteo et al. |
|
2020 |
|
10 |
| 23 |
Preface: Metaphors of Migration |
|
|
2020 |
|
10 |
| 24 |
Caring like a State: Politicizing Love, Touch, and Precarious Lives in the Time of COVID-19 |
D´Aoust, Anne-Marie |
|
2020 |
|
9 |
| 25 |
Of Animal Love and Abuse: Exploring Ambivalent Human-Animal Relationships in Tiger King (2020) during the COVID-19 Pandemic |
Bauer, Liza B. |
|
2020 |
|
9 |
| 26 |
Queer Love within, through and beyond Creative Queer African Collaboration |
Meer, Talia et al. |
|
2020 |
|
9 |
| 27 |
"I Am Trying to Improve the Care of Women, That Is My Goal." — In Conversation about Love and Abortion with Giessen-based GP Kristina Hänel |
Rausch, Sahra |
|
2020 |
|
9 |
| 28 |
"Alle Apparate abschalten." Conceiving Love and Technology with Heidegger And Kittler |
Winkler, Robert A. |
|
2020 |
|
9 |
| 29 |
An Erotic Re-Imagination of Human/Nature Relationality: Ecosexuality and the Legacies of Coloniality in Love and Sex |
Türer, Pinar |
|
2020 |
|
9 |
| 30 |
Bringing Intimacies into the Discussion: On the Relevance of Addressing Intimate Relationships in a Migration Context |
Röhm, Mona |
|
2020 |
|
9 |
| 31 |
Turkey´s Pioneering Psychoanalyst: Izeddin Sadan´s Disquisition on (Homosexual) Love as Sickness |
Kilic, Gözde |
|
2020 |
|
9 |
| 32 |
Love as Practice of Solidarity: Of Peripheral Bodies, Embodied Justice and Associated Labor |
Majstorovic, Danijela |
|
2020 |
|
9 |
| 33 |
Editorial: Love: Politics, Practices, Perspectives |
|
|
2020 |
|
9 |
| 34 |
To Copy, To Impress, To Distribute: The Start of European Printing |
Gilbert, Bennett |
|
2019 |
|
8 |
| 35 |
Modernist Architecture and Visual Culture: Online Forms of Distribution |
Cristache, Maria |
|
2019 |
|
8 |
| 36 |
de[re]territorialisation |
Allen, Marilyn |
|
2019 |
|
8 |
| 37 |
A Coordinated Europeanization of the Comics Industry through Distribution: The Politics of the Global Journey of Astérix and Tintin through the Strategic Distribution of their Magazines and Contents in the 1960s |
Burton, Jessica |
|
2019 |
|
8 |
| 38 |
Travelling Media Structures: Adaptation and Demarcation in China´s Public SARS Discourse |
Bogen, Cornelia |
|
2019 |
|
8 |
| 39 |
Programming a Public Mediascape: Distribution and the Japanese Motion Pictures Experience |
Amit, Rea |
|
2019 |
|
8 |
| 40 |
Itch.io and the One-Dollar-Game: How Distribution Platforms Affect the Ontology of (Games as) a Medium |
Werning, Stefan |
|
2019 |
|
8 |
| 41 |
Data Troubles: Digital Distribution in the Platform Economy |
Holt, Jennifer |
|
2019 |
|
8 |
| 42 |
Editorial: Distribution |
|
|
2019 |
|
8 |
| 43 |
A Radical-Ambiguous (Re-)Vision of America’s West: David Benjamin Sherry’s Eco-Queer Critique of America’s Changing National Parks in his Photo Series Climate Vortex Sutra (2014) |
Klaassen, Oliver |
|
2019 |
|
7 |
| 44 |
Does “Critical Composition” (Still) Exist? Reflections on the Material of New Music |
Wolf, Jonas |
|
2019 |
|
7 |
| 45 |
Performing Critique: Queer Video Games as Critical Method |
Rivers, Joshua W. |
|
2019 |
|
7 |
| 46 |
Performing Critical Voice: On the Relationship of Citizenship, Belonging, and the Articulation of Contemporary Critiques |
Müller, Carolin |
|
2019 |
|
7 |
| 47 |
Robert Walser’s Topicality and the Descriptive Turn |
Gormsen Schmidt, Johanne |
|
2019 |
|
7 |
| 48 |
A World Without Norms: Historicizing Critique and Postcritique |
Huehls, Mitchum |
|
2019 |
|
7 |
| 49 |
Editorial: Critique: Meanings, Methods, Contexts |
|
|
2019 |
|
7 |
| 50 |
Notice of Corrections: Julian Reid, “Reclaiming Possession: A Critique of the Discourse of Dispossession in Indigenous Studies”, On_Culture 5 (2018) |
|
|
2019 |
|
5 |
| 51 |
Reclaiming Possession: A Critique of the Discourse of Dispossession in Indigenous Studies : Corrected Version |
Reid, Julian |
|
2019 |
|
5 |
| 52 |
On Self-Tracking as Surveillance Practice |
Heitger, Anna |
|
2018 |
|
6 |
| 53 |
GlobalEyes |
Coons, Jeff |
|
2018 |
|
6 |
| 54 |
Working Under Surveillance |
Lawless, Ann |
|
2018 |
|
6 |
| 55 |
Interview with Franci Duran about her Video Art Installation 8401 |
Duran, Franci et al. |
|
2018 |
|
6 |
| 56 |
Dystopian Realities : Investigating the Perception of and Interaction with Surveillance Practices |
Kiesewetter, Jennifer et al. |
|
2018 |
|
6 |
| 57 |
The Ubiquitous View: Surveillance, Imagination, and the Power of Being Seen |
Ahrens, Jörn |
|
2018 |
|
6 |
| 58 |
Why Should We Talk about Culture, When We Want to Understand ‘Surveillance’? |
Kammerer, Dietmar |
|
2018 |
|
6 |
| 59 |
Exploring Surveillance Culture |
Lyon, David |
|
2018 |
|
6 |
| 60 |
Surveillance and Shame in Dave Eggers’s The Circle |
Wasihun, Betiel |
|
2018 |
|
6 |
| 61 |
The Securopolis: (Re)assembling Surveillance, Resilience, and Affect |
Rogers, Peter |
|
2018 |
|
6 |
| 62 |
The Order of Things and People: Vertical Non-State Surveillance |
Ivasiuc, Ana |
|
2018 |
|
6 |
| 63 |
The Representation of Dataveillance in Visual Media : Subjectification and Spatialization of Digital Surveillance Practices |
Hennig, Martin et al. |
|
2018 |
|
6 |
| 64 |
On the Cultural Dimensions of Surveillance : editorial |
Schniedermann, Wibke et al. |
|
2018 |
|
6 |
| 65 |
Reclaiming Possession: A Critique of the Discourse of Dispossession in Indigenous Studies |
Reid, Julian |
|
2018 |
|
5 |
| 66 |
Building New Concepts: Concepts in Indigenous Architecture as Interdisciplinary Enhancement Factor? |
Tochtermann, Verena |
|
2018 |
|
5 |
| 67 |
Indigenous Decolonization of Western Notions of Time and History through Literary and Visual Arts |
Rose, Diana C. et al. |
|
2018 |
|
5 |
| 68 |
Earthly Indigeneity: The Cognitive and Ethical Implications of a Disregarded Cosmic Occurence |
Ricca, Mario |
|
2018 |
|
5 |
| 69 |
Reclaiming Possession: A Critique of the Discourse of Dispossession in Indigenous Studies |
Reid, Julian |
|
2018 |
|
5 |
| 70 |
Making Indigeneity: The Beekeeper’s Perspective |
Meloni, Greca N. |
|
2018 |
|
5 |
| 71 |
Protecting the Line: Clinton Rickard, Border-Crossing and Haudenosaunee Trans-Indigeneity |
Dietzel, Andrew |
|
2018 |
|
5 |
| 72 |
Indigeneities: Territories, Spaces and Conceptual Maps : editorial |
|
|
2018 |
|
5 |
| 73 |
Re-aligning Yugoslavia: the construction of alterity in the Yugoslav newsreels |
Turajlic, Mila |
|
2017 |
|
4 |
| 74 |
Newsreels from 1968 communist Bulgaria: the encompassing Us vs. the different Them |
Pozharliev, Lyubomir |
|
2017 |
|
4 |
| 75 |
Marginality as a space of freedom: some notes on the popularity of naïve art among Soviet painters in the 1960s and 1970s |
Otdelnova, Vera |
|
2017 |
|
4 |
| 76 |
Otherness in the context of Martin Luther King Jr.’s assassination in Les Actualités Françaises of 1968 |
Nier, Nicola |
|
2017 |
|
4 |
| 77 |
"University is Ill:" representations of the Italian student crisis in 1968 Radar Cinematografica newsreels |
Gamelas, Inês |
|
2017 |
|
4 |
| 78 |
Politics and political alterity in the Spanish NO-DOs of 1968 |
Gallo González, Danae |
|
2017 |
|
4 |
| 79 |
Political alterity in Pathé’s French and British newsreel coverage of the May 1968 events in Paris |
Clucas, Tom |
|
2017 |
|
4 |
| 80 |
Another twelve years: Hungarian newsreels and the invasion of Czechoslovakia in 1968 |
Barkóczi, Janka |
|
2017 |
|
4 |
| 81 |
Alterity — a category of practice and analysis : preliminary remarks |
Bachmann-Medick, Doris |
|
2017 |
|
4 |
| 82 |
On alterities 1968 newsreels : editorial |
Gallo González, Danae et al. |
|
2017 |
|
4 |
| 83 |
On un-doing law |
Olson, Greta et al. |
|
2017 |
|
3 |
| 84 |
Law undone: corporeal subversion in Mariella Mehr’s Stoneage |
Patchett, Emma |
|
2017 |
|
3 |
| 85 |
The legal person and its other: a comparative view on drawing and effacing boundaries in various cultural contexts |
Suntrup, Jan Christoph |
|
2017 |
|
3 |
| 86 |
The law’s gender: entanglements and recursions – three stories from Sri Lanka |
De Mel, Neloufer et al. |
|
2017 |
|
3 |
| 87 |
Visualizing law’s pluralities: artistic practice and legal culture |
Gschrey, Raul |
|
2017 |
|
3 |
| 88 |
Bypassing the law in a homeless vehicle: Alan Bennett’s The Lady in the Van |
Schniedermann, Wibke |
|
2017 |
|
3 |
| 89 |
Undoing ableism: disability as a category of historical and legal analysis |
Beckmann, Lisa |
|
2017 |
|
3 |
| 90 |
The juridical voice of literature: a perspective on literature’s entanglement with normativity |
Becker, Katrin |
|
2017 |
|
3 |
| 91 |
On_Culture, issue 2 : editorial |
|
|
2016 |
|
2 |
| 92 |
Affective bodies : nonhuman and human agencies in Djuna Barnes’s fiction |
Oulanne, Laura |
|
2016 |
|
2 |
| 93 |
Embodied, relational practices of human and non-human in a material, social, and cultural nexus of organizations |
Küpers, Wendelin M. |
|
2016 |
|
2 |
| 94 |
The non-human as such: on men, animals, and barbers |
Timofeeva, Oxana |
|
2016 |
|
2 |
| 95 |
Siren songs and echo’s response : towards a media theory of the voice in the light of speech synthesis |
Borbach, Christoph |
|
2016 |
|
2 |
| 96 |
Pot and power : the role of the nonhuman in a very human business |
Artner, Lucia et al. |
|
2016 |
|
2 |
| 97 |
"Che tempo, che tempo": geology and environment in Max Frisch´s Der Mensch erscheint im Holozän |
Völker, Oliver |
|
2016 |
|
2 |
| 98 |
When dinosaurs ruled the earth? Digital animals, simulation, and the return of ‘real nature’ in the Jurassic Park movies |
Fuchs, Michael |
|
2016 |
|
2 |
| 99 |
Aesthetic experience : visual culture as the masterpiece of nonhumanity |
Wagner, Christiane |
|
2016 |
|
2 |
| 100 |
Non-Human actors and identity performance online |
Pupynina, Anastasia |
|
2016 |
|
2 |
| 101 |
Scenes of trash : aesthetic order and political effects of garbage in the home |
Moisi, Laura |
|
2016 |
|
2 |
| 102 |
New narrative forms in the digital age : the emergence of enhanced e-books |
Weigel, Anna |
|
2016 |
|
1 |
| 103 |
Reflections on ethnography as a research method |
Wehde, Katja |
|
2016 |
|
1 |
| 104 |
Design and modeling as processes of creating culture |
Trischler, Ronja |
|
2016 |
|
1 |
| 105 |
A poetic reading of permaculture in three helical aesthetic plans |
Schröder, Andressa |
|
2016 |
|
1 |
| 106 |
The trouble with emergence |
Schniedermann, Wibke |
|
2016 |
|
1 |
| 107 |
Emergent emergencies in complex ecosystems : reflections on the limits of narrative cognition and a revisiting of Michael Crichton’s Jurassic Park (1990) |
Scherr, Alexander |
|
2016 |
|
1 |
| 108 |
Sarah Kane’s world of depression : the emergence and experience of mental illness in 4.48 psychosis |
Ovaska, Anna |
|
2016 |
|
1 |
| 109 |
Digital dark age : an overview for the humanities and social sciences |
Migowski, Ana Lúcia |
|
2016 |
|
1 |
| 110 |
Research design : the explorative potential of research-planning processes in visual and material culture |
Krit, Alesya |
|
2016 |
|
1 |
| 111 |
Shake those methods! – The art of doing research |
Krit, Alesya et al. |
|
2016 |
|
1 |
| 112 |
The wisdom of crowds |
Kohle, Hubertus |
|
2016 |
|
1 |
| 113 |
Reflections on hunger in Burkina Faso |
Kalfelis, Melina C. |
|
2016 |
|
1 |
| 114 |
Emergency in protest : young people’s politics in the Gezi protests |
Gümüs, Pinar |
|
2016 |
|
1 |
| 115 |
On_Culture, issue 1 : editorial |
|
|
2016 |
|
1 |
| 116 |
Curating as research |
Gschrey, Raul |
|
2016 |
|
1 |
| 117 |
Schools under fire? : school shootings and the construction of a cultural discourse of emergency |
Braselmann, Silke |
|
2016 |
|
1 |
