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“What are you like to come home to?” Domesticity in postwar British women’s poetry and fiction, 1945–1960

Berensmeyer, Ingo

Originalveröffentlichung: (2015) Anglia 2015, 133(3): 466–488, doi: 0.1515/anglia-2015-0042
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URN: urn:nbn:de:hebis:26-opus-124237

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Sammlung: Allianz-/Nationallizenzen / Artikel
Universität Justus-Liebig-Universität Gießen
Institut: Institut für Anglistik
Fachgebiet: Anglistik
DDC-Sachgruppe: Englisch
Dokumentart: Aufsatz
Sprache: Englisch
Erstellungsjahr: 2015
Publikationsdatum: 06.01.2017
Kurzfassung auf Englisch: This essay presents readings of a wide range of British women’s poetry and fiction of the immediate postwar period (1945–1960) that focus on the topic of domesticity. It explores the capacities of literary texts to intervene in a slow process of cultural change in gendered attitudes towards domestic life, homemaking and notions of women’s place in the home. To illustrate the ‘nadir of British feminism’ (M. Pugh) as a structure of feeling, it also draws on advertisements and marital advice books from the 1950s. While poems by Stevie Smith, Elizabeth Jennings and Denise Levertov respond to the pressures of domesticity, novels by Elizabeth Taylor (At Mrs Lippincote’s) and Josephine Leslie (The Ghost and Mrs. Muir) point towards what might be called ‘alternative domesticities’,however imaginary. The essay argues that the possibility of women’s personal freedom (within or beyond domestic settings) in the age of the ‘angry young men’ had to be translated into the defamiliarising strains of the ‘female Gothic’ and could only be imagined in the form of comic supernatural romance or satirical
Lizenz: Allianz- / Nationallizenz